posted
Nice! A chance to show off. I like that. Here are some of mine.
Postman Pat scooters. I'm quite proud of this photo; it was taken in the early days of me owning a Lomo, and I was trying out the "shoot-from-the-hip" style of photography that the camera lends itself to. I think the composition is quite, well, "good".
Holy Week 2002. Easter is magical in southern Spain. Next week I intend to take many more shots like this. Some of them may include Ben.
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These are all photos from my recent trip to Scotland. All Lomos, as above.
I have a "The Best Photo I've Ever Taken" kicking around somewhere... when I need to skive off doing some more work I'll fish it out and scan it in for you.
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Kovacs those are really very good indeed. I can't pick out a favourite, except to say "ooooh you've been to Iceland", and to ask you if you enjoyed it. Given a free ticket to explore somewhere I haven't been before, Iceland is where I'd choose to go. Would you recommend?
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posted
Let's shift our manly mutual fanclub off here for a while and see if anyone else wants to join in? I would be all too happy to chip in with more later. I hope this won't overload the boards though.
And, as for photos... All of my 'best shots' were done on 35mm and I've since thrown them all out in a pique of anger... And, my other shots are viewable at: www.mylifehere.com/london_eye and www.mylifehere.com/carnival (I won't post them cuz I don't wanna chew up Darryn's bandwidth with pics that have been seen before.)
-------------------- Evil isn't what you've done, it's feeling bad about it afterwards... Yield to temptation. It may not pass your way again.
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Nice froopy, I like the breakfast and car brakelite trails ones best I think...really nice warm oranges in the first and washy pinks and blues in the second. Also the way the arms and legs kind of cross over the frame in the last pic, bracing it.
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Amy, I think your self-portrait is awesome... we could probably have a completely separate comparison of urban rail transport shots, I seem to end up with a lot of them and it seems I'm not alone in this.
Ditto on encouraging Waynester to post. The more the merrier.
I can't help but be impressed overall though - good stuff from all sides, mine excepted of course.
I've been theorizing on the equipment behind the shots - digital or film? Am asssuming most are 35mm - not sure of what mart's lomos is. (I particularly liked the lomos one with the gnome in the foreground.)
I still haven't found that one shot I had hoped to find... seems my favorites are the ones which I can't locate when I'm looking for them.
Froopy: a Lomo is a Russian rangefinder, a copy of the Minox 35 (without replicating it entirely). It's something of a trendy wankie culty camera, cleverly marketed by the "Lomography" people in Vienna to make you think you're buying something incredibly amazing, when really all it has is an impressively luminous lens and an interesting tunnel effect (bright centre, dark corners). It does have its charm though, and since owning one I rarely pick up my SLR.
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posted
Ok I'm going to post a couple of my favourites - they are not of particular quality as unfortunatley whilst I try to be artistic, I am not - it just ain't part of my DNA I guess
Oh and I do mostly band photography, hence the images of lots of band members.
Leidseplein, Amsterdam, 1.30 am December
Jay from Zen Motel
Donna. I know out of focus, and badly lit, but I just love the unobtrousiveness - just a natural picture of someone I love very much.
Share Pedersen (Bubble/Dogs D'Amour, ex-Vixen)
Amsterdam Riot Police. Waynster gets political
Like I said they are not really much cop - the policeman is badly lit (yeah I could post process in Photoshop but that';s cheating right?) and though the Piccie of Share is badly lit, I do like it.
I so wish I had the artistic eye...
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I really like those Waynester -- the one you're apologising for focus on is so great with the blue of the entire room except for the fire. Every time someone new posts on this thread I think "fuck, my pics are outclassed!"
quote:Originally posted by froopyscot: I've been theorizing on the equipment behind the shots - digital or film? Am asssuming most are 35mm - not sure of what mart's lomos is. (I particularly liked the lomos one with the gnome in the foreground.)
Well to proove that equipment doth not the picture make I have one of these:
It really is the most outstanding camera I have ever had the pleasure to use, let alone own. Yes it cost me a horrible amount of money, as did for all the peripherals (I reckon a bit above 4000 pounds all told) but its been a progression - I have owned several Cameras - my first was a completely Manual Praktica MTL-5B, Then a Minolta 5000, A Nikon F601, A Sony DSC-P70 (my first Digital) and now the D100. The Praktica was a great learning tool, and I think maybe one of my problems is that I may have forgotten one or two of the skills, though I do hope to rectify this by doing a photography course soon. The move to Digital seemed natural to me, being the techie I am and the Sony was great, but I missed the overall controllability, and I suppose freedom you have with an SLR, so when the D100 came out, I had to have one.
I do find however that I take the Nikon everywhere, like you would your wallet or house keys, and have really started to fall in Love with photography all over again. It also is paying for itself in a way, in that it is opening doors for me - the band photography is starting to take off a bit, and I have a couple of tours to shoot starting next weekend, and I have had some used by the BBC, and this one by the VPRO:
Its a guy called Neil Leyton from Canada who I have seen a couple of times. Its been used a fair bit, and tomorrow I have to get some promo photos made for the record label in the UK, so yeah, the D100 is doing me good!
Be interested to hear what other people used for kit
[ 13 April 2003: Message edited by: Waynster ]
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quote:Originally posted by kovacs: I really like those Waynester -- the one you're apologising for focus on is so great with the blue of the entire room except for the fire. Every time someone new posts on this thread I think "fuck, my pics are outclassed!"
Thank you so much Kovacs - I am so often dissapointed with the shots I take, but to have them appreciated by another photographer really rebuilds my confidence. But as for your pictures being outclassed - no way! I actually thought that a couple of them were good enough for stock photography - particularly the Daughter shot, the Reykjavik shot and even the one of your Nan - have you ever tried selling or considered this?
(Not that I am suggesting selling your granny you understand? )
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posted
Waynster, those are quality photos. I also really like Froopy's diner - pure American Graffiti (except for the rain), and Amy's really sharp b+w one of the bridge in Cambridge, and the Brooklyn subway one, a copy of which hangs on the wall in my office. And I would agree that Ko's coffee-cup pic is pro catalogue quality.
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What can I say but thanks and you all rock. I don't even think of myself as a photographer; it is a hobby I suppose but the closest I have come to being trained or working on quality equipment is doing 16mm (and of course super-8) filmmaking. I haven't had to think about f stops or light readings for over ten years. All those shots were on a £300 1.5 megapixels fuji digital camera, which is I suppose a real vote for fuji. Sad that I had it stolen 10 days ago -- I am assuming my replacement, with 4 megapixels and huge memory, will be better, but haven't had a chance to try it out yet.
I do think some of my pictures look like hotel magazine copy but that always struck me as evidence of some inner cheesiness and a kind of kitsch conservatism in my framing -- look even in the above small selection how many have an object like a wine glass all unfocused in the foreground. "'Boasters', the Travel Inn restaurant, with its executive area for entertaining those important clients, is open for your use between 8am and 11pm."
quote:Originally posted by mart: Waynster, those are quality photos. I also really like Froopy's diner - pure American Graffiti (except for the rain), and Amy's really sharp b+w one of the bridge in Cambridge, and the Brooklyn subway one, a copy of which hangs on the wall in my office. And I would agree that Ko's coffee-cup pic is pro catalogue quality.
Thanks Mart - as I said to Kovacs, getting positive respoonse from fellows of the art really is so encouraging. I am very tempted to go take the D100 for a walk now actually
quote:Aren't we cool.
Of course. All Moonies are
[ 13 April 2003: Message edited by: Waynster ]
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quote:Originally posted by kovacs: I do think some of my pictures look like hotel magazine copy but that always struck me as evidence of some inner cheesiness and a kind of kitsch conservatism in my framing -- look even in the above small selection how many have an object like a wine glass all unfocused in the foreground. "'Boasters', the Travel Inn restaurant, with its executive area for entertaining those important clients, is open for your use between 8am and 11pm."
Cheesiness? Kitsch? Photographers eye - not something you can necessarily learn, allthough I am striving to, but often a gift, a part of your genetic make up. Cherish it, don't doubt it.
I am really impressed with everyones work on here, and it does put some of my work to shame, but however after reading the comments I did look again at the shots I posted, amd realised that they are not that bad after all. I suppose the thing is to appreciate, but still be critical of your own work.
Actually last night I went to see Steve Earle play at the Paradiso - an old church which is now a music venue here in Amsterdam. No real security and I could so have easily have got in with My Lowepro backpack, the guys beiung none the wiser I was packing my camera. As great as the gig was, I did keep finding myself cursing that I had not bought the kit with me as the lighting was so right, and with the 70-300 (effective 105-450 - SLR-CCD conversion problem/benefit) I could have got some cracking shots from right at the back where I stood). Bugger.
Has anyone undergone any formal training in photography, or the arts in general? I (obviously) have not, but am looking at taking the New York Institute of Photography course possibly, and was wondering if anyone could recommend anything - I so love photography and strive to be better, so any pointers would be appreciated.
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